Ice Station Zebra, by Alistair MacLean – 1963 [Unknown Artist]

While I can’t pass literary judgement on this novel – not having read it! – as of this posting (March, 2019) it’s received over 15,000 ratings and nearly 250 reviews at GoodReads – most having accorded it very positive reviews.

However, I did see director John Sturges’ cinematic adaptation of the novel shortly after his film’s release in late 1968.  Even then (as a kid), I was strikingly underwhelmed by the film’s plot, pacing, and predictability, and to an extent, its special effects.  This was especially ironic in light of Michael Legrand’s inspiring musical score, which probably (well, for me) was the best part of the movie, if not the only good part of the movie. 

You can view the film’s trailer (from RayRHvids cellar) below, and listen to its musical score here, care of Soundtrack Fred.

 

Night Without End, by Alistair MacLean – 1960 [Unknown artist]

Unlike Ice Station Zebra and Breakheart Pass, Night Without End (first published in 1959) has never been adapted for the cinema.  Paralleling the former works, this novel has received very positive reviews on GoodReads.  Stylistically, the cover artist for this Fawcett Crest edition of Night Without End, was doubtless the person whose work graces the covers of the Fawcett Crest editions of MacLean’s aforementioned novels. 

Breakheart Pass, by Alistair MacLean – 1974 (July, 1975) [Unknown Artist]

The cover art of this Fawcett Crest edition of Breakheart Pass seems – in terms of style and composition – to have been created by the same artist whose work appears as the cover illustration of the 1963 edition of Ice Station Zebra

(But, I don’t know who!)

Also adapted for film, the cinematic version of the novel, directed by Tom Gries, was released in December of 1975.  Curiously, akin to Ice Station Zebra, while the novel itself has received highly favorable reviews at GoodReads (albeit far fewer than the for Zebra), the movie’s Wikipedia entry indicates that the film was a “box office disappointment in the U.S.” 

You can view the film’s trailer (rather lengthy, at over three minutes) below, care of HD Retro Trailers, while you can listen to Jerry Goldsmith’s musical score, care of Soundtrack Fred, here

Hmmm.  The trailer does seem to impart a “TV movie” feel to the film…

 

HMS Ulysses, by Alistair MacLean – 1953 [Robert Emil Schulz]

Cap in hand, Ralston sat down opposite the captain.
Vallery look at him for a long time in silence.
He wondered what to say, how best to say it.
He hated to have to do this.

Richard Vallery also hated war. 
He always had hated it,
and he cursed the day it had dragged him out of his comfortable retirement. 
At least “dragged” was how he put it;
only Tyndall knew that he had volunteered his services to the Admiralty
on September 1, 1939,
and had had them gladly accepted.

But he hated war. 
Not because it interfered with his lifelong passion for music and literature,
on both of which he was a considerable authority,
not even because it was a perpetual affront to his aestheticism,
to his sense of rightness and fitness. 
He hated it because he was a deeply religious man,
because it grieved him to see in mankind the wild beasts of the primeval jungle,
because he thought the cross of his life was already burden enough
without the gratuitous infliction of the mental and physical agony of war,
and, above all,
because he saw war all too clearly as the wild and insensate folly it was, –
as a madness of the mind that settled nothing, proved nothing –
except the old, old truth that God was on the side of the big battalions.

But some things he had to do,
and Vallery had clearly seen that this war was to be his also. 
And so he had come back to the service and had grown older
as the bitter years passed, older and frailer,
and more kindly and tolerant and understanding. 
Among naval captains – indeed, among men – he was unique. 
In his charity, in his humility, Captain Richard Vallery walked alone. 
It was a measure of the man’s greatness
that this thought never occurred to him.