The Best From Fantasy and Science Fiction – Eleventh Series, Edited by Robert P. Mills – 1960 (1961, 1962) [Bob Schinella] […updated post…]

This is an olde post.  Olde in Internet terms, that is: June of 2017.  I’ve now updated it to include an image of Bob Schinella’s cover art for The Best From Fantasy and Science Fiction – Eleventh Series, which is far better than the dinged-up and slightly chipped original formerly featured in the post, now visible at the “bottom”.

The book offers a selection of the outstanding stories then typical and representative of the content of MF&SF; in this case, from the year 1961, albeit naturally and inevitably varying greatly in literary style, plot, and theme from author to author.  Particularly outstanding are Poul Anderson’s “Time Lag”, Cordwainer Smith’s “Alpha Ralpha Boulevard”, and Kurt Vonnegut’s “Harrison Bergeron“, the impact of the latter extending far beyond the genre of science fiction to become culturally, if not politically, significant. 

As far as the former two stories, central to the plot of Anderson’s tale are the impact and implications of time dilation – from space travel at relativistic speeds – in an interstellar war of conquest by a barbarian empire, viewed through the experiences of the novel’s main – female – protagonist.  The story explores questions of politics, political intrigue, family and civilizational loyalty, and concepts of courage and honor, in a fast-moving and compelling way, typical of much of Anderson’s work. 

“Alpha Ralpha Boulevard”?  Well, what can one say?  Smith was a wonderfully imaginative “world-builder”, and this story takes place in our world some ten to fifteen thousand years from now, in (or at?!) “Earthport”, an immensely tall facility in which is situated the Instrumentality of Mankind, which is the setting of Smith’s “The Ballad of Lost C’Mell”, which was published in Galaxy about a decade earlier.  Any further explanation “here” would diminish the reader’s enjoyment and appreciation of the story’s sheer novelty…!

“The Sources of The Nile”, by Avram Davidson, January, 1961

“Somebody To Play With”, by Jay Williams, May, 1961

“Softly While You’re Sleeping”, by Evelyn E. Smith, April, 1961

“The Machine That Won The War”, by Isaac Asimov, October, 1961

“Go For Baroque”, by Jody Scott, June, 1961

“Time Lag”, by Poul Anderson, January, 1961

“George”, by John Anthony West, June, 1961

“Shotgun Cure”, by Clifford D. Simak, January, 1961

“The One Who Returns”, by John Berry, March, 1961

“The Captivity”, by Charles G. Finney, October, 1961

“Alpha Ralpha Boulevard”, by Cordwainer Smith, June, 1961

“Effigy”, by Rosser Reeves, August, 1961

“E=MC2″, by Rosser Reeves, September, 1961

“Harrison Bergeron”, by Kurt Vonnegut, Jr., October, 1961

“The Haunted Village”, by Gordon R. Dickson, August, 1961

My former blog post image…

A. Reference…

Internet Speculative Fiction Database

June 19, 2017 – 158

SF: The Best of the Best – August, 1968 [Norman Adams] (Dell # 0508)

And now, we come to what in effect is the final volume of Judith Merril’s 1950s-1960s science fiction (and fantasy) anthology, SF: The Best of the Best.  This un-numbered series anthology comprises a collection of what truly were the best stories gathered across all volumes of SF, and in this, it succeeds entirely.  Unlike prior books in the series, this volume is absent of non-fiction commentary or scientific speculation, cartoons, poems, and especially (thankfully!) stories-not-published-elsewhere commissioned solely for this series.  If you were to purchase any one volume of SF, this is the one.

Given this book’s title, it would seem that the intention of Judith Merril (and Dell) was that the series would end with this volume, which represents a retrospective of the entire series.  However, Volume 12 – in reality the actual, final volume – was published in 1969, a year after this compilation.  So, it would seem that the publication schedule was reversed as the series approached its culmination.

Norman Adams’ cover painting, which has an eerie anthropomorphic theme, represents a combination of elements from both science fiction and fantasy, especially the latter.  Something tells me that this painting could have been inspired by (or could have inspired, if we’re talking about time travel, parallel universes, and backwards causation!) the hieroglyphic murals upon the walls of the un-named city of the Elder Things in H.P. Lovecraft’s At the Mountains of Madness.  

Just sayin’.  One never knows, do one?

All these stories…

Introduction (SF: The Best of the Best), Essay by Judith Merril

“The Hoofer”, by Walter M. Miller, Jr.,
from Fantastic Universe, September, 1955 (Volume 1)

“Bulkhead”, by Theodore Sturgeon,
from Galaxy Science Fiction, March, 1955 (Volume 1)

“Anything Box” (variant of The Anything Box), by Zenna Henderson,
from The Magazine of Fantasy and Science Fiction, October, 1956 (Volume 2)

“Prima Belladonna” (Vermilion Sands series), by J.G. Ballard,
from Science Fantasy, December, 1956 (Volume 2)

“Casey Agonistes”, by R.C. McKenna,
from The Magazine of Fantasy and Science Fiction, September, 1958 (Volume 4)

“A Death in the House”, by Clifford D. Simak,
from Galaxy Science Fiction, October, 1959 (Volume 5)

“Space-Time for Springers” (Gummitch the Cat series), by Fritz Leiber,
from Star Science Fiction Stories No. 4, November, 1958 (Volume 4)

“Pelt”, by Carol Emshwiller,
from The Magazine of Fantasy and Science Fiction, November, 1958 (Volume 4)

“Stranger Station”, by Damon Knight,
from The Magazine of Fantasy and Science Fiction, December, 1956 (Volume 2)

“Satellite Passage”, by Theodore L. Thomas,
from If, December, 1958 (Volume 4)

“No, No, Not Rogov!” (The Instrumentality of Mankind series), by Cordwainer Smith (Paul M. Linebarger),
from If, February, 1959 (Volume 5)

“Compounded Interest”, by Mack Reynolds,
from The Magazine of Fantasy and Science Fiction, August, 1956 (Volume 2)

“Junior”, by Robert Abernathy,
from Galaxy Science Fiction, January, 1956 (Volume 1)

“Sense from Thought Divide” (Ralph Kennedy series), by Mark Clifton,
from Astounding Science Fiction, March, 1955 (Volume 1)

“Mariana, by Fritz Leiber”,
from Fantastic Science Fiction Stories, February, 1960 (Volume 5)

“Plenitude”, by Will Worthington (Will Mohler),
from The Magazine of Fantasy and Science Fiction, November, 1959 (Volume 5)

“Day at the Beach”, by Carol Emshwiller,
from The Magazine of Fantasy and Science Fiction, August, 1959 (Volume 5)

“Let’s Be Frank”, by Brain W. Aldiss,
from Science Fantasy, June, 1957 (Volume 3)

“The Wonder Horse”, by George Bryam,
from The Atlantic Monthly, August, 1957 (Volume 3)

“Nobody Bothers Gus” (Gus series), by Algis Budrys,
from Astounding Science Fiction, November, 1955 (Volume 1)

“The Prize of Peril”, by Robert Sheckley,
from The Magazine of Fantasy and Science Fiction, May, 1958 (Volume 4)

“The Handler”, by Damon Knight,
from Rogue, August, 1960 (Volume 5)

“The Golem”, by Avram Davidson,
from The Magazine of Fantasy and Science Fiction, March, 1955 (Volume 1)

“The Sound Sweep”, by J.G. Ballard (Variant of “The Sound-Sweep”,
from Science Fantasy, #39, February, 1960), specifically for this volume (Volume 5)

“Hickory, Dickory, Kerouac”, by Richard Gehman,
from Playboy, March, 1958 (Volume 4)

“Dreaming Is a Private Thing”, by Isaac Asimov,
from The Magazine of Fantasy and Science Fiction, December, 1955 (Volume 1)

“The Public Hating”, by Steve Allen,
from The Blue Book Magazine, January, 1955 (Volume 1)

“You Know Willie”, by Theodore R. Cogswell,
from The Magazine of Fantasy and Science Fiction, May, 1957 (Volume 3)

“One Ordinary Day, with Peanuts”, by Shirley Jackson,
from The Magazine of Fantasy and Science Fiction, January, 1955 (Volume 1)

And in conclusion, a textual solution!

Internet Speculative Fiction Database

This Book’s Contents

Published Variants of This Book (Just two!)