The Member of the Wedding, by Carson McCullers – 1958 (1946) [Unknown Artist] [Updated post…]

A book can draw your attention by its cover, but its power and impact by nature ultimately derive from the words upon its pages.  

If so in print, and even moreso in pixels.  To that end, many posts at WordsEnvisioned – particularly those for novels – include an excerpt which gives a representative sample of the author’s literary style, and more importantly, to lesser or greater degree, embody the ethos, spirit, or animating idea behind the work.

As such, in February of 2018 I posted images of the 1958 Bantam Books’ edition of Carson McCullers’ The Member of the Wedding, sans other content.  That literary lacuna is now remedied with an excerpt from the novel, which you can read below.   

You can view the cover of the 1962 paperback edition of McCullers’ The Ballad of the Sad Café here.

And now F. Jasmine walked with a soldier
who in his mind included her in such unknown pleasures.
But she was not altogether proud.
There was an uneasy doubt that one could not quite place or name.
The noon air was thick and sticky as hot syrup,
and there was the stifling smell of the dye-rooms from the cotton mill.
She heard the organ-grinder sounding faintly from the main street.

The soldier stopped.  “This is the hotel,” he said.

They were before the Blue Moon
and F. Jasmine was surprised to hear it spoken of as a hotel,
as she had thought it was only a café.
When the soldier held the screen door open for her,
she noticed that he swayed a little.
Her eyes saw blinding red, then black, after the glare,
and it took them a minute to get used to the blue light.
She followed the soldier to one of the booths on the right.

“Care for a beer,” he said, not in an asking voice,
but as though he took her reply for granted.

F. Jasmine did not enjoy the taste of beer;
once or twice she had sneaked swallows from her father’s glass and it was sour.
But the soldier had not left her any choice.
“I would be delighted,” she said.  “Thank you.”

Never had she been in a hotel,
although she had often thought about them and written about them in her shows.
Her father had stayed in hotels several times,
and once, from Montgomery,
he had brought her two tiny little cakes of hotel soap which she had saved.
She looked around the Blue Moon with new curiosity.
All of a sudden she felt very proper.
On seating herself at the booth table, she carefully smoothed down her dress,
as she did when at a party or in church, so as not to sit the pleats out of the skirt.
She sat up straight and on her face there was a proper expression.
But the Blue Moon still seemed to her more like a kind of café than a real hotel.
She did not see the sad, pale Portuguese,
and a laughing fat lady with a golden tooth poured beer for the soldier at the corner.
The stairway at the back led probably to the hotel rooms upstairs,
and the steps were lighted by a blue neon bulb and covered with a runner of linoleum.
A sassy chorus on the radio was singing an advertisement:
Denteen Chewing Gum!  Denteen Chewing Gum!  Denteen!
The beery air reminded her of a room where a rat had died behind a wall.
The soldier walked back to the booth, carrying two glasses of the beer;
he licked some foam that had spilled over his hand
and wiped the hand on his trousers seat.
When he was settled in the booth, F. Jasmine said,
in a voice that was absolutely new to her –
a high voice spoken through the nose, dainty and dignified:

“Don’t you think it is mighty exciting?
Here we are sitting here at this table
and in a month from now there’s no telling on earth where we’ll be.
Maybe tomorrow the army will send you to Alaska like they sent my brother.
Or to France or Africa or Burma.
And I don’t have any idea where I will be.
I’d like for us to go to Alaska for a while, and then  go somewhere else.
They say that Paris has been liberated.  In my opinion the war will be over next month.”

The soldier raised his glass, and threw back his head to gulp the beer.
F. Jasmine took a few swallows also, although it tasted nasty to her.
Today she did not see the world as loose
and cracked and turning a thousand miles an hour,
so that the spinning views of war and distant lands made her mind dizzy.
The world had never been so close to her.
Sitting across from the soldier at that booth in the Blue Moon,
she suddenly saw the three of them – herself, her brother, and the bride –
walking beneath a cold Alaskan sky,
along the sea where green ice waves lay frozen and folded on the shore;
they climbed a sunny glacier shot through with pale cold colors
and a rope tied the three of them together,
and friends from another glacier called in Alaskan their J A names.
She saw them next in Africa, where, with a crowd of sheeted Arabs,
they galloped on camels in the sandy wind.  Burma was jungle-dark,
and she had seen pictures in Life magazine.
Because of the wedding, these distant lands, the world,
seemed altogether possible and near:
as close to Winter Hill as Winter Hill was to the town.
It was the actual present, in fact, that seemed to F. Jasmine a little bit unreal.

“Yes, it’s mighty exciting,” she said again.

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The Ballad of the Sad Café, by Carson McCullers – May, 1962 (May, 1951) [Unknown artist]

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You can download the full text of McCullers’ short story from Green Mountain Writers, and, you can view the cover of the 1958 paperback edition of McCullers’ The Member of the Wedding here.

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There is a type of person who has a quality about him
that sets him apart from other and more ordinary human beings. 
Such a person has an instinct which is usually found only in small children,
an instinct to establish immediate and vital contact
between himself and all things in the world. 
Certainly the hunchback was of this type. 
He had only been in the store half an hour
before an immediate contact had been established
between him and each other individual. 
It was as though he had lived in the town for years,
was a well-known character,
and had been sitting and talking there on that guano sack for countless evenings. 
This, together with the fact that it was Saturday night,
could account for the air of freedom and illicit gladness in the store. 
There was a tension, also,
partly because of the oddity of the situation
and because Miss Amelia was still closed off in her office
and had not yet made her appearance.

She came out that evening at ten o’clock. 
And those who were expecting some drama at her entrance were disappointed. 
She opened the door and walked in with her slow, gangling swagger. 
There was a streak of ink on one side of her nose,
and she had knotted the red handkerchief about her neck. 
She seemed to notice nothing unusual. 
Her gray, crossed eyes glanced over to the place where the hunchback was sitting,
and for a moment lingered there. 
The rest of the crowd in her store she regarded with only a peaceable surprise.

“Does anyone want waiting on?” she asked quietly.

There were a number of customers, because it was Saturday night,
and they all wanted liquor.
Now Miss Amelia had dug up an aged barrel only three days past
and had siphoned it into bottles back by the still.
This night she took the money from the customers
and counted it beneath the bright light.
Such was the ordinary procedure.
But after this what happened was not ordinary.
Always before, it was necessary to go around to the dark back yard,
and there she would hand out your bottle through the kitchen door.
There was no feeling of joy in the transaction.
After getting his liquor the customer walked off into the night.
Or, if his wife would not have it in the home,
he was allowed to come back around to the front porch of the store
and guzzle there or in the street.
Now, both the porch and the street before it were the property of Miss Amelia,
and no mistake about it —
but she did not regard them as her premises;
the premises began at the front door and took in the entire inside of the building.
There she had never allowed liquor to be opened or drunk by anyone but herself.
Now for the first time she broke this rule.
She went to the kitchen,
with the hunchback close at her heels,
and she brought back the bottles into the warm, bright store.
More than that she furnished some glasses and opened two boxes of crackers
so that they were there hospitably in a platter on the counter
and anyone who wished could take one free.

She spoke to no one but the hunchback,
and she only asked him in a somewhat harsh and husky voice:
“Cousin Lymon, will you have yours straight,
or warmed in a pan with water on the stove?”

“If you please, Amelia,” the hunchback said. 
(And since what time had anyone presumed to address Miss Amelia by her bare name,
without a title of respect? —
Certainly not her bridegroom and her husband of ten days. 
In fact, not since the death of her father,
who for some reason had always called her Little,
had anyone dared to address her in such a familiar way.)
“If you please, I’ll have it warmed.”

Now, this was the beginning of the café.

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McCullers’s title story was adapted for film in 1991.  Starring Vanessa Redgrave and Keith Carradine (see more at IMDB) you can view the movie. divided into two parts, at Daily Motion.

Part 1 here

Part 2 here…

Here’s the trailer, at YouTube: