Rendezvous With Rama, by Arthur C. Clarke – September, 1974 [Vincent di Fate – ?]

Though not as well known as the novel 2001: A Space Odyssey, which in 1968 was released in parallel with Stanley Kubrick’s groundbreaking film of the same name, Arthur C. Clarke’s 1973 Rendezvous With Rama is still based upon a basic theme of the former: Humanity’s first encounter with an extraterrestrial civilization.  However, Rendezous is vastly simpler in terms of plot and “story-line”, lying much more in the realm of straightforward exploration and purely descriptive “hard” science fiction than 2001.  Nevertheless, the product of Clarke’s literary skill and imagination was (and is) an engrossing, fast-paced, fascinating story, albeit a tale without a definitive conclusion or transformation – whether physical or psychological – of its central characters.

Ballantine Books followed an interesting route for the design of the 1974 (September publication; the hardcover edition was published in 1973) paperback edition of Rama.  Rather than using rectangular / vertical format cover art, so typical of and natural to the typical book, Rama’s cover (bearing the author’s name, book title, and reference to Clarke’s earlier works) features a circular “window” showing a glimpse of the interior of Rama (the alien spacecraft, not the book!). 

Upon opening the cover, the not-so-cover art visible through the circular “window” is revealed to be part of a square-format foldout showing Rama’s interior.

Here’s the book’s cover…*

….and, here’s the book’s interior art, fully opened.  Note the figures of the three astronauts in the left foregound.  Based on the image’s perspective and the scale of features in the scene, the figures seem vastly too large, but, they do impart a sense of wonder.

Unfortunately, neither the book’s title page nor the art itself present the artist’s name.  (Why – ? – ! – ?)  However – – – based on the painting’s combination of technology and human figures, and visually literal (rather than abstract / stylistic, such as the works of John Schoenherr or Jack Gaughan) rendering of the scene, it seems – that the painting was created by Vincent Di Fate.

If so (I think so…) as evidence, here are two DiFate covers from Analog Science Fiction – Science Fact, the first from March of 1980 and the second from February of 1981, that have the same general style as the cover of Rama.

Analog Science Fiction – Science Fact, March, 1980

“Worlds in the Clouds”, by Bob Buckley

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Analog Science Fiction – Science Fact, February, 1981

“The Saturn Game”, by Poul Anderson

I hope to rendezvous with the works of other science-fiction artists in future posts…

Reference

Rendezvous with Rama (Ballantine Books catalog number 25288), at Internet Speculative Fiction Database

* I’m using “this” image, found via Duck-Duck-Go, instead of my personal copy of the book, because my copy has become rather – ? – ragged around the edges (and beyond!) – over the past 45 years!

Men, Martians and Machines, by Eric Frank Russell – May, 1965 (1958) [Paul Lehr?]

“The exciting world of the outer galaxies”

Though the artist’s name is absent from both the cover and copyright pages of Eric Frank Russell’s Men, Martians and Machines, the cover art is almost certainly by Paul Lehr. 

The appearance and presentation of the human figures (only one figure in the foreground, with several vaguely defined figures in the background), the scene’s limited range of colors, and the visual “softness” – versus the crispness and detail inherent to the works of Emsh (Edmund Emshwiller) – is consistent with Lehr’s art. 

Contents

Jay Score, from Astounding Science Fiction, May, 1941

Mechanistria, from Astounding Science Fiction, January, 1942

Symbiotica, from Astounding Science Fiction, October, 1943

Mesmerica (first publication)

VOYAGE OF THE MARATHON

“Even at the time when space ships were making regular voyages across the universe, the MARATHON was a remarkable craft.  Powered by the Flettner system, its speed was so great that for the first time exploration of the outer galaxies was made possible.

MEN, MARTIANS AND MACHINES describes some of the great voyages made by the MARATHON.  There was, for example, the planet which was solely inhabited by machines – survivors, perhaps, from a civilization in which the first machine-makers had perished.  On another planet, the inhabitants had developed the power of hypnotism to a fantastic degree, so that the observer saw only what he was willed to see.”

References

Men, Martians and Machines, at Internet Speculative Fiction Database

Men, Martians and Machines, at Wikipedia