Franz Kafka – Diaries (Edited by Max Brod) – 1948 (1988) [Anthony Russo]

What have I in common with Jews?
I have hardly anything in common with myself
and should stand very quietly in a corner,
content that I can breathe. – January 8-11, 1914

June, 1914 (pp. 279-280)

There are certain relationships which I can feel distinctly
but which I am unable to perceive. 
It would be sufficient to plunge down a little deeper;
but just at this point the upward pressure is so strong
that I should think myself at the very bottom
if I did not feel the currents moving below me. 
In any event, I look upward to the surface
whence the thousand-times-reflected brilliance of the light falls upon me. 
I float up and splash around on the surface,
in spite of the fact that I loathe everything up there and –

August 6, 1914 (p. 302)

What will be my fate as a writer is very simple.
My talent for portraying my dreamlike inner life
has thrust all other matters into the background;
my life has dwindled dreadfully,
nor will it cease to dwindle.
Nothing else will ever satisfy me.
But the strength I can muster for that portrayal is not to be counted upon:
perhaps it has already vanished forever,
perhaps it will come back to me again,
although the circumstances of my life didn’t favour its return.
Thus I waver,
continually fly to the summit of the mountain,
but then fall back in a moment.

March 11, 1915 (p. 332)

Eastern and Western Jews, a meeting. 
The Eastern Jews’ contempt for the Jews here. 
Justification for this contempt. 
The way the Eastern Jews know the reason for their contempt,
but the Western Jews do not. 

March 13, 1915 (p. 333)

Occasionally I feel an unhappiness which almost dismembers me,
and at the same time am convinced of its necessity
and the existence of a goal to which one makes one’s way
by undergoing every kind of unhappiness
(am now influenced by my recollection of Herzen,
but the thought occurs on other occasions too.)

The Best of Fritz Leiber, Introduced by Poul Anderson – 1974 [Michael Herring]

“I’ll take the big dive.”

Sanity, Astounding Science Fiction, April, 1944

Wanted – An Enemy, Astounding Science Fiction, February, 1945

The Man Who Never Grew Young, Avon Fantasy Reader #9, 1948

The Ship Sails at Midnight, Fantastic Adventures, September, 1950

The Enchanted Forest, Astounding Science Fiction, October, 1950

Coming Attraction, Galaxy, November, 1950

Poor Superman, Galaxy, July, 1951

A Pail of Air, Galaxy, December, 1951

The Foxholes of Mars, Thrilling Wonder Stories, June, 1952

The Big Holiday, The Magazine of Fantasy and Science Fiction, January, 1953

The Night He Cried, 1953

The Big Trek, The Magazine of Fantasy and Science Fiction, October, 1957

Space-Time For Springers, 1958

Try and Change The Past, Astounding Science Fiction, March, 1958

A Deskful of Girls, The Magazine of Fantasy and Science Fiction, April, 1958

Rump-Titty-Titty-Tum-Tah-Tee, The Magazine of Fantasy and Science Fiction, May, 1958

Little Old Miss Macbeth, The Magazine of Fantasy and Science Fiction, December, 1958

Mariana, Fantastic Science Fiction Stories, February, 1960

The Man Who Made Friends With Electricity, The Magazine of Fantasy and Science Fiction, March, 1962

The Good New Days, Galaxy, October, 1965

Gonna Roll The Bones, 1967

America the Beautiful, 1970

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From “Gonna Roll The Bones”, in Dangerous Visions, October, 1967

…”Joe Slattermill, you still have something of value to wager, if you wish. 
Your life.”

At that a giggling and a hysterical tittering and a guffawing and braying
and a shrieking burst uncontrollably out of the whole Boneyard. 
Mr. Bones summed up the sentiments
when he bellowed over the rest of the racket,
“Now what use of value is there in the life of a bummer like Joe Slattermill? 
Not two cents, ordinary money.”

The Big Gambler laid a hand on the revolver gleaming before him
and all the laughter died.

“I have a use for it,” the Big Gambler whispered. 
“Joe Slattermill, on my part I will venture all my winnings of tonight,
and throw in the world and everything in it for a side bet. 
You will wager your life, and on the side your soul. 
You to roll the dice. 
What’s your pleasure?”

Joe Slattermill quailed, but then the drama of the situation took hold of him. 
He thought it over and realized
he certainly wasn’t going to give up being stage center in a spectacle like this
to go home broke to his Wife and Mother and decaying house
and the dispirited Mr. Guts. 
Maybe, he told himself encouragingly,
there wasn’t power in the Big Gambler’s gaze,
maybe Joe had made his one and only crap-shooting error. 
Besides, he was more inclined to accept Mr. Bones’s assessment
of the value of his life than the Big Gambler’s.

“It’s a bet,” he said.

“Lottie, give him the dice.”

Joe concentrated his mind as never before,
the power tingled triumphantly in his hand, and he made his throw. 

The dice never hit the felt.
They went swooping down, then up,
in a crazy curve far out over the end of the table,
and then came streaking back like tiny red-glinting meteors
towards the face of the Big Gambler,
where they suddenly nested and hung in his black eye sockets,
each with the single red gleam of an ace showing.

Snake eyes.

The whisper, as those red-glinting dice-eyes stared mockingly at him:
“Joe Slattermill, you’ve crapped out.”

Using thumb and middle finger – or bone rather – of either hand,
the Big Gambler removed the dice from his eye sockets
and dropped them in Lottie’s white-gloved hand.

“Yes, you’ve crapped out, Joe Slattermill,” he went on tranquilly.
“And now you can shoot yourself”
– he touched the silver gun
– “or cut your throat”
– he whipped a gold-handled bowie knife out of his coat
and laid it beside the revolver
– “or poison yourself”
– the two weapons were joined by a small black bottle
with white skull and crossbones on it
– “or Miss Flossie here can kiss you to death.”
He drew forward beside him the prettiest, evilest-looking sporting girl.
She preened herself and flounced her short violet skirt
and gave Joe a provocative, hungry look,
lifting her carmine upper lip to show her long white canines.

“Or else,” the Big Gambler added,
nodding significantly towards the black-bottomed crap table,
“you can take the Big Dive.”

Joe said evenly, “I’ll take the big dive.”

Infinity Science Fiction – October, 1956 (Featuring “The Silver Corridor”, by Harlan Ellison) [Edmund A. Emshwiller]

 

Illustration by Edward Emshwiller, for Harlan Ellison’s story “The Silver Corridor” (p. 49)

 

Astounding Science Fiction – January, 1946 (Featuring “The Fairy Chessmen”, by Lewis Padgett) [William Timmins]

Illustration by Paul Orban, for Lewis Padgett’s story “The Fairy Chessmen” (p. 13)

Illustration by Williams, for Ross Rocklynne’s story “A Matter of Length” (p. 118)

Astounding Science Fiction – December, 1942 (Featuring “The Weapon Shop”, by A.E. van Vogt) [Hubert Rogers]

“The finest energy weapons in the known universe.”

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Illustration by William A. Kolliker, for “The Weapon Shop” (p. 9)

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Illustration by William A. Kolliker for “The Weapon Shop” (p. 22)

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Illustration by Paul Orban, for Edna Mayne Hull’s story “The Flight That Failed” (p. 29)

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Illustration by Charles Schneeman, for Frank Bellknap Long’s story “To Follow Knowledge” (p. 87)

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Illustration by Pasilang R. Isip, for Robert Moore Williams’ story “Johnny Had a Gun” (p. 99)

Venture Science Fiction – July, 1958 (Featuring “Two Dooms”, by Cyril M. Kornbluth) [Edmund A. Emshwiller]

Illustration by John Giunta or Hurwitz, for “Lady of Space”, by Lester Del Rey (p. 116).

Penguin Classics (Various and Varied Illustrations)

 

Ethics, by Aristotle (Translated by J.A.K. Thomson)

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Alcestis, Iphigenia in Tauris, and Hippolytus, by Euripides (Translated by Philip Vellacott)

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The Histories, by Herodotus (Translated by Aubrey de Selincourt)

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The Iliad, by Homer (Translated by Emile V. Rieu)

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The Odyssey, by Homer (Translated by Emil V. Rieu)

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The Jewish War, by Josephus (Translated by G.A. Williamson)

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Daphnis and Chloe, by Longius (Translated by Paul Turner)

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Gorgias, by Plato (Translated by W. Hamilton)