Marks of the Trade: The Viking Press – Sailing to Imagination

The world of publishing stands for many things.  Or, more aptly phrased, many things stand for the world of publishing, such as dogs, roosters, kangaroos (and cardinals), as well as monuments.

Another well-known symbol – colophon, as it were – in the publishing world is the Viking longboat, the symbol since 1925 of the Viking Press, founded in March of that year by Harold K. Guinzburg and George S. Oppenheimer.  As described by Brian LaRossa at Design Observer, “…[Guinzburg] envisioned the Half Moon Press, named after Henry Hudson’s famed flyboat.  He hired Rockwell Kent to render the vessel but Kent delivered what could only be interpreted as a Viking longboat.  Though initially angry that Kent had missed the mark by such a wide berth, Guinzburg eventually embraced the Viking ship and name for its associations with enterprise, adventure, and exploration in publishing.”   

Viking having been part of Penguin since 1975, its longboat has been retained as the imprint’s colophon, nicely displayed in color (with a penguin atop the deck) at the Viking Penguin website.  Here it is:

Five examples of Viking’s colophon – spanning the late 1940s through the late 1990s – follow below.  Though there are obvious and necessary consistencies in the symbol’s design, note the subtle (and not-so-subtle) variations in detail and shape apparent when comparing these examples, most notably in regard to the colophon used in The Portable Plato.  The longboat in this 1948 example is of a much simpler design, with the background displaying stars and waves – the ocean – comprising an appreciable part of the symbol.  In subsequent years, the largest variation is in rays of the sun (I guess it’s the sun?!) that form the “rim” of the colophon, which differ in density and depth across the years.

Regardless, I like them all.  My favorite is the colophon as used for The Story of Ernie Pyle.  

Regardfull, I’ve read two of the five books below:  Rick DeMarinis’ The Coming Triumph of the Free World, and, Alan Isler’s The Bacon Fancier, both collections of truly wonderful short – and meaningful – stories.

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The Portable Plato
The Most Famous Works of The Most Influential Mind
in Western Philosophy
Protagoras
Phaedo -Symposium
The Republic
All Complete

…edited by Scott Buchanan (1965 (1948))

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The Story of Ernie Pyle, by Lee G. Miller (1950)

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Bugles and a Tiger – A Volume of Autobiography, by John Masters (1956)

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The Coming Triumph of the Free World, by Rick DeMarinis (1988)

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The Bacon Fancier, by Alan Isler (1997)

I

II

Sailing Even Further…

Viking Press, at…

Wikipedia

Fonts in Use

… “Undercover Branding”, at Design Observer

Viking Press is Sold to Penguin Books, by Alden Whitman, November 11, 1975 (The New York Times)

… “The Viking Ship“, in ALA Bulletin, V 50, N 8, pp 493-497, September, 1956 (via JSTOR)

Marks of the Trade: Pocket Books – A Pocketful ‘o Literature

It’s time for more trademarks!

Now that I’ve presented the logos of publishers Alfred A. Knopf (bounding borzois), Bantam Books (roosters), and, Little, Brown (a stately and silent column), here are more literary emblems inspired by the animal kingdom.  Both of Pocket Books, they are Gertrude the Kangaroo, and, the anonymous cardinal of the company’s Cardinal Editions.  Though the “sample” here is small, what it does reveal is the consistency in design of the Cardinal Editions emblem through the 1950s, as opposed to the charming way that Gertrude’s appearance has changed before and through that decade.  Note especially how the 1946 imprint of The Sea Wolf depicts Gertrude’s joey holding a book before her, while other depictions of her reveal that her pouch has another use: a “built in” book bag!

The Boyd is the Woyd

The Return of the Native, by Thomas Hardy – June, 1952 (November, 1939) ((1878))

The Cruel Sea, by Nicholas J.T. Monsarrat – 1953

Yorktown, by Burke Davis – January, 1954 (October, 1952)

Magnificent Obsession, by Lloyd C. Douglas – November, 1962 (1929)

A Boyd on the Spine

The Cruel Sea, by Nicholas J.T. Monsarrat – 1953

Kontemplative Kangaroo

Very studious:  Gulliver’s Travels, by Jonathan Swift – March, 1940 (December, 1939)

“Share this book with someone in uniform”

The Sea Wolf, by Jack London – 1946 (1904)

The Night Life of The Gods, by Thorne Smith – January, 1948 (March, 1931)

Mister Roberts, by Thomas Heggen – 1958

Rambling Roo

Gertrude is “spectacular”!

Gulliver’s Travels, by Jonathan Swift – March, 1940 (December, 1939) ((1726))

The Sea Wolf, by Jack London – 1946 (1904)

Red and blue books for you: Two variations on a colorful them of Gertrude.

Perry Mason Solves The Case of the Lucky Legs, by Erle Stanley Gardner – 1951 (1934)

Mister Roberts, by Thomas Heggen – 1958

Marsupials Marching en Masse (Oh my!)

Talk about branding!

The Pocket Book of O. Henry, edited by Harry Hansen – 1948

(Sort of frontispiece one…)

(…sort of frontispiece two.)

Marks of the Trade: Little, Brown and Company – A Monument to Reading

The emblem of Little, Brown and Company from the mid-twentieth century shows a consistent appearance from the late thirties through the late fifties.  However, the bird-atop-the-pole is facing left in 1938, and has turned to the right by the 50s.  Another difference lies in detail:  The earlier design is more intricate, with a suggestion of clouds in the background, floating above a row of buildings.  (Is this a suggestion of Boston, where the firm’s history began?)  The latter versions have reduced the emblem to base and column, and greatly enlarged and stylized the firm’s two-letter initial.    

The design’s evolution in this “sample” of four (is it a representative sample?!) is utterly unlike that of Alfred A. Knopf’s borzoi!  

The Citadel, by A.J. Cronin (1938)

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Beyond This Place, by A.J. Cronin (1953)

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A Thing of Beauty, by A.J. Cronin – (1955) 1956

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The Northern Light, by A.J. Cronin (1958)

Marks of the Trade: Alfred A. Knopf – Canine Curiousity

Here’s a new variation on a theme of publisher trademarks: The borzoi logo of the Knopf publishing house, now owned by Penguin Random House.  (In turn owned by Bertlelsmann.  (Gadzooks, where does the chain of ownership end?!)  The logo was created by Knopf co-owner Blanche Knopf in 1925.

As originally featured in this blog “way back when” in 2016, these images – and others like them – appeared in my blog header through drop-down menus.  I’ve decided to display them as individual posts, for greater accessibility.

And so, seventeen variations on a theme of Borzoi.  While holding true to the logo’s animating idea, they show a remarkable variation in style and detail.  For example, particularly note the contrast between the logo for John Hersey’s Hiroshima (1946), and Loren Baritz’s The Good Life (1989).  

The Great Hatred, by Maurice Samuel (1941) – 1

The Great Hatred, by Maurice Samuel (1941) – 2

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Berlin Diary, by William L Shirer (1942) – 1

Berlin Diary, by William L Shirer (1942) – 2

Berlin Diary, by William L Shirer (1942) – 2 (A closer look…)

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Hiroshima, by John Hersey, by (1946)

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The Gentleman and The Jew, by Maurice Samuel (1950)

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Of Whales and Men, by R.B. Robertson (1954)

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Little Did I Know, by Maurice Samuel (1963) – 1

Little Did I Know, by Maurice Samuel (1963) – 2

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My Young Years, by Arthur Rubinstein (1973)

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The Story of a Shipwrecked Sailor, by Gabriel García Márquez (April, 1986)

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Trust Me, by John Updike (1987)

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The Letter Left To Me, by Joseph McElroy (1988)

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The Good Life : The Meaning of Success for the American Middle Class, by Loren Baritz (1989)

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The Coast of Chicago, by Stuart Dybek (1990)

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The Art of Cartography – Stories, by J.S. Marcus (1991)

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And, this one’s unknown!

 

Marks of the Trade: Bantam Books – Lightweight Learning

As originally designed in the former world of 2016, the header of WordsEnvisioned included drop-downs by which you could view numerous publishers’ trademarks. 

In order to display these images in a way that’s easier to locate and access, I’ve deleted those drop-downs, and have instead created a series of posts about trademarks, of which this is the first.

And so (drum roll, please) here are eight variations on a theme of Bantam Books.

From the 1949 edition of William Krasner’s Walk the Dark Streets.

Isaac Asimov: The Naked Sun, from March, 1953.

…and on the rear cover.

This one’s from the 1954 edition of Fredric Brown’s Star Shine.

…and on the back.

From June of 1956, Charles Eric Main’s Timeliner.

This rooster’s from the 1957 edition of Isaac Asimov’s Pebble In The Sky.

And this big bird is from Seven Short Novels by Chekhov, from 1963.