The Best of Poul Anderson, Edited by Barry N. Malzberg – 1976 [Mara McAfee]

Contents

The Longest Voyage, from Analog Science Fact – Fiction, December, 1960

The Barbarian, from The Magazine of Fantasy and Science Fiction, May, 1956

The Last of the Deliverers, from The Magazine of Fantasy and Science Fiction, February, 1958

My Object All Sublime, from Galaxy Magazine, June, 1961

Sam Hall, from Astounding Science Fiction, August, 1953

Kyrie, from The Farthest Reaches (book), August, 1968

The Fatal Fulfillment, from The Magazine of Fantasy and Science Fiction, March, 1970

Hiding Place, from Analog Science Fact – Fiction, March, 1961

The Sky People, from The Magazine of Fantasy and Science Fiction, March, 1959

They Were Expendable, by William L White – 1942 [Unknown Artist]

“And through those plump cities the sad young men back from battle wander
as strangers in a strange land,
talking a grim language of realism which the smug citizenry doesn’t understand,
trying to tell of a tragedy which few enjoy hearing.”

FOREWORD

THIS story was told me largely in the officers’ quarters of the Motor Torpedo Boat Station at Melville, Rhode Island, by four young officers of MTB Squadron 3, who were all that was left of the squadron which proudly sailed for the Philippines last summer.  A fifth officer, Lieutenant Henry J. Brantingham, has since arrived from Australia.

These men had been singled out from the multitude for return to America because General MacArthur believed that the MTB’s had proved their worth in warfare, and hoped that these officers could bring back to America their actual battle experience, by which trainees could benefit.

Their Squadron Commander, Lieutenant John Bulkeley (now Lieutenant-Commander) of course needs no introduction, as he is already a national hero for his part in bringing MacArthur out of Bataan.  But because the navy was then keeping him so busy fulfilling his obligations as a national hero, Bulkeley had to delegate to Lieutenant Robert Boiling Kelly a major part of the task of rounding out the narrative.  I think the reader will agree that the choice was wise, for Lieutenant Kelly, in addition to being a brave and competent naval officer, has a sense of narrative and a keen eye for significant detail, two attributes which may never help him in battle but which were of great value to this book.  Ensigns Anthony Akers and George E. Cox, Jr., also contributed much vivid detail.

As a result, I found when I had finished that I had not just the adventure story of a single squadron, but in the background the whole tragic panorama of the Philippine campaign – America’s little Dunkirk.

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We are a democracy, running a war.  
If our mistakes are concealed from us, they can never be corrected.  
Facts are frequently and properly withheld in a war,
because the enemy would take advantage of our weaknesses if he knew them.  
But this story now can safely be told because the sad chapter is ended.  
The Japanese know just how inadequate our equipment was,
because they destroyed or captured practically all of it.

I have been wandering in and out of wars since 1939,
and many times before have I seen the sad young men come out of battle –
come with the whistle of flying steel and the rumble of falling walls still in their ears,
come out to the fat, well-fed cities behind the lines,
where the complacent citizens always choose from the newsstands
those papers whose headlines proclaim every skirmish as a magnificent victory.

And through those plump cities the sad young men back from battle wander
as strangers in a strange land,
talking a grim language of realism which the smug citizenry doesn’t understand,
trying to tell of a tragedy which few enjoy hearing.

These four sad young men differ from those I have talked to in Europe
only in that they are Americans,
and the tragedy they bear witness to is our own failure,
and the smugness they struggle against is our own complacency.

W.L. WHITE

Astounding Science Fiction – March, 1950 (Featuring “New Foundations”, by Wilmar H. Shiras) [Hubert Rogers]

Illustration by Hubert Rogers, for Wilmar Shiras’ story “New Foundations” (p. 15)

Illustration by Hubert Rogers, for Wilmar Shiras’ story “New Foundations” (p. 24)

Illustration by Hubert Rogers, for Wilmar Shiras’ story “New Foundations” (p. 34)Illustration by Brush, for H. Beam Piper’s story “The Mercenaries” (p. 59)

Illustration by Hubert Rogers, for L. Ron Hubbard’s story “To The Stars” (p. 78)

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Illustration by Hubert Rogers, for L. Ron Hubbard’s story “To The Stars” (p. 87)  This is the “original” art as published in Astounding.  Unusually for Rogers, one character – the man – has been rendered as a “positive” image, while his lady friend is depicted in “inverted” tones.

The same illustration as above, but digitally “inverted” and enhanced using Photoshop, to make the image of the woman clearer.  Notice that Rogers has included his initials – “H.R.” – on the park bench.

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Illustration by Hubert Rogers, for L. Ron Hubbard’s story “To The Stars” (p. 96)

Illustration by Hubert Rogers, for L. Ron Hubbard’s story “To The Stars” (p. 107)

Illustration by Hubert Rogers, for L. Ron Hubbard’s story “To The Stars” (p. 118)

Astounding Science Fiction – April, 1950 (Featuring “The Wizard of Linn”, by A.E. van Vogt) [Hubert Rogers]

Compare this cover to that of the March, 1953 issue of Astounding.  A certain spherical commonality going on…!

Illustration by Hubert Rogers, for A.E. van Vogt’s story “The Wizard of Linn” (p. 6)

Illustration by Hubert Rogers, for A.E. van Vogt’s story “The Wizard of Linn” (p. 31)

Illustration by Hubert Rogers, for A.E. van Vogt’s story “The Wizard of Linn” (p. 38)

Illustration by Hubert Rogers, for James Blish’s story “Okie” (p. 69)

Illustration by Hubert Rogers, for James Blish’s story “Okie” (p. 85)

Illustration by Hubert Rogers, for James Blish’s story “Okie” (p. 92)

Astounding Science Fiction – January, 1950 (Featuring “The Xi Effect”, by Philip Latham) [Chesley Bonestell]

Illustration by Jack Gaughan, for Poul Anderson’s story “Gypsy” (p. 66)

Illustration by Hubert Rogers, for Isaac Asimov’s story “…And Now You Don’t” (p. 139)

 

Astounding Science Fiction – February, 1950 (Featuring “To The Stars”, by L. Ron Hubbard) [Hubert Rogers]

Illustration by Brush, for A.E. van Vogt’s story “The Sound” (p. 56)

Illustration by Brush, for A.E. van Vogt’s story “The Sound” (p. 68)

Illustration by Ward, for Katherine MacLean’s story “And Be Merry…” (p. 107)

Illustration by Ward, for Katherine MacLean’s story “And Be Merry…” (p. 115)

Illustration by Edd Cartier, for Lawrence O’Donnell’s story “Promised Land” (p. 146)

The Last Parallel, by Martin Russ – 1957 (1958) [Robert Emil Schulz]


In a fire fight, or any type of severe combat, time is indistinguishable.
I may have remained immobile for minutes or only seconds.
It was an enormous effort to move anything but my eyes;
limbs were leaden as in a nightmare, and the old fear took hold.
It is difficult to describe this state, terror.

Physical terror I mean.

It is a rare emotion in this age.
Every soldier that has been in combat must have felt it.
The immediate problem is to overcome it as quickly as possible.
If he cannot, he ceases to function as soldier. (264)

– Martin Russ