Desire Provoked, by Tracy Daugherty – 1986 [Richard Mantel]

In the fall the valley turns green.
Scholars and mystics have joined hands in attempts to explain why our seasons misbehave.
Weathermen pepper our skies with balloons,
diviners scratch with earth with sticks.
Legends, and curious accounts in leather pouches found in the hollow of a tree,
suggest that the valley was once a lake.
Dogwood blossomed on its banks, peacocks danced in the hills.

Fisherman reported seeing water sprites, twinkling,
no fatter than fingers,
change into bulbous squashlike creatures in the middle of the night. 
What appeared to be falling leaves drifted slowly out over the lake,
then turned into metal filings, which rained down hard upon the men. 
Nothing was safe. 
The shapeshifters smashed turtles, birds, trawlers, anything that settled on the lake.

On shore a chubby boy, an orphan, lived on the pumpkins of the fields. 
He longed to swim.
As he had no family, the villagers assumed responsibility for him.
They warned him of the danger in the water,
but he seemed to have an intimate knowledge of the lake.
He spoke of the colors at the bottom as though he’d been diving.
Some people suggested that he came from the lake;
after all, he had no family.
Where did he come from?

One night,
having informed the fishermen that he was tired of travelling the earth,
he jumped into the shallows and swam.
From time to time the townsfolk saw him in the middle of the lake,
riding a shaggy white buffalo.
Eventually the boy wrenched a horn from the animal’s head and tossed it ashore.
A tree laden with heavy fruit sprang up where it landed.
Next the boy surfaced gripping a black obelisk.
The obelisk was slippery;
often the boy lost his grip,
but finally managed to fling it ashore.
An artesian well burst forth, spraying water high into the air.
The villagers danced beneath the spring,
feasting on heavy fruit as the boy battled tumbleweeds, crates, panes of glass.
Each time he hurled an opponent ashore it became,
instantly,
a source of beauty and health.
The people were delighted.

Finally one creature remained – the mother squash, the biggest in the lake.
The boy caught his breath, ate a chunk of pumpkin, submerged.
He was underwater for hours.
The lake boiled.
Orange steam patches off the water.
The water began to blaze.
Women from the village tossed ice into the deepest part.
A mixture of blood –
male and female, mother and son –
hardened on the surface, burst into flames.
It burned until the lake dried up.
Afterwards there was no sign of the boy or the squash –
just a salt deposit, as if from giant tears.
For years boiling rain seared the dogwoods in the valley.
The grass dried up in summer.

He turns out the light.  “Good night,” he says.

“Daddy?”

“Yes?”

“That was neat.  Will you tell us another story tomorrow night?”

“Sure.  Go to sleep now.” (91-93)

– Tracy Daugherty –

Fire Mission, by William Mulvihill – 1957 [Unknown artist]

Suddenly he looked up and he was all alone. 
The men in front of him had melted away
as if some giant hand had swept them to the ground,
leaving him alone and vulnerable,
towering above them. 
But he was not alone:
as he struggled to get down to the slushy road
he saw Meringo falling sideways and someone running heavily for the woods. 
The terrible whirring of the shell beat into his ears,
shaking his brain,
paralyzing him. 
He hit the ground, tried to claw his way into it,
praying and cursing in the same breath. 
If someone got killed it would be him for he was slow and stupid –
a stupid, dumb jerk. 
He stopped breathing, this was his last instant on earth:
the shell would land directly on him,
the smooth, metal point splitting his backbone and then exploding. 
He sobbed for he was afraid. 
He wanted to live. 
He wanted to get up and go away to where shells never fell. 
It wasn’t right for him to die here,
to die on this stupid road in the goddam slush
with everybody else in Rear Echelon like the tank guys and Bannion
and the cannoneers and the civilians in France
and that fat, chicken-hearted T/5 back in England
who led them to the train when they got off the boat in Southampton. 
WHERE WAS THAT SONOFABITCH ANYWAY?

The shell exploded and he was deaf and blind and dying.
He never had a chance and it was so terribly sad and it served his mother right.
Then he opened his eyes and saw feet moving around him.
There was the taste of clay in his mouth
and the stench of the powder was so strong that it was hard to breathe.
One by one the other men got up,
brushing the flecks of mud from their clothes.
He quickly did the same.
No one had been hit. (pp. 73-73)

– William Mulvihill –

“FIRE MISSION is a magnificent and moving novel of men at war.  In the winter of 1944, the Allied armies were slugging it out with the Wermacht in the long drive to the Rhine.

“FIRE MISSION is the story of one American artillery battery: four 105 howitzers, and a hundred officers and men – and what happened to them in the last few weeks of a great battle.

“FIRE MISSION is no book of cowards and heroes, but of ordinary soldiers – men who have endured war and found satisfaction in their efficiency as a fighting unit, and pride in themselves as men.”