Wuthering Heights, by Emily Bronte – October, 1952 (December, 1847) [Walter M. Baumhofer]

“Is Mr. Heathcliff a man?  If so, is he mad?
And if not, is he a devil?”

Dear Ellen, it begins, —
I came last night to Wuthering Heights,
and heard, for the first time, that Catherine has been, and is yet, very ill. 
I must not write to her, I suppose,
and my brother is either too angry or too distressed to answer what I sent him. 
Still, I must write to somebody, and the only choice left me is you.

Inform Edgar that I’d give the world to see his face again —
that my heart returned to Thrushcross Grange in twenty-four hours after I left it,
and is there at this moment, full of warm feelings for him, and Catherine!
I can’t follow it though — (these words are underlined) —
they need not expect me, and they may draw what conclusions they please;
taking care, however, to lay nothing at the door of my weak will or deficient affection.

The remainder of the letter is for yourself alone. 
I want to ask you two questions: the first is, —
How did you contrive to preserve the common sympathies of human nature when you resided here?
I cannot recognise any sentiment which those around share with me.

The second question I have great interest in; it is this —
Is Mr. Heathcliff a man?  If so, is he mad?
And if not, is he a devil?
I sha’n’t tell my reasons for making this inquiry;
but I beseech you to explain, if you can, what I have married:
that is, when you call to see me; and you must call, Ellen, very soon.
Don’t write, but come, and bring me something from Edgar.

References

Wuthering Heights, at Wikipedia

Wuthering Heights (full text), at Project Gutenberg

A Decade of Fantasy and Science Fiction, edited by Robert P. Mills – 1962 [Richard M. Powers]

Here’s a nice Richard Powers cover from 1962, with elements typical of his art: Multicolored, curved, geometric, mobile-like shapes; a weird, irregularly-shaped, dented, floating, metallic king of thingy; a figure garbed in a space-suit.  (Well, it looks like a space-suit!) 

Like many of the images of “people” in Powers’ art, the space explorer’s outfit looks detailed and ornate, but on closer inspection, this arises from a series of rings or ridges covering the garment, giving it the suggestion rather than the reality of detail. 

But, it still looks cool.

The “lower” of the two images, appearing on the book’s back cover, is simply a reproduction of the art on the front cover, sans text.

As for the stories within the book?  Though I have read them all (some years ago!), none particularly currently stand out in memory.  Yet, in a larger sense, I was always impressed by the works of Zenna Henderson (“The People” series), Ward Moore (author of one of the best time travel stories I’ve ever read; fully worthy of a mini-series on Netflix or Amazon Prime (hint, hint, Mr. Bezos!): “Bring the Jubilee”), and, Manly Wade Wellman. 

Contents

Walk Like A Mountain, by Manly Wade Wellman, June, 1955

Men of Iron, by Guy Endore, Fall, 1949

Rabbits to The Moon, by Raymond E. Banks, July, 1959

The Certificate, by Avram Davidson, March, 1959

The Sealman, by John Mansfield, July, 1955

The Sky People, by Poul Anderson, March, 1959

The Causes, by Idris Seabright, June, 1952

The Hypnoglyph, by John Anthony, July, 1953

A Tale of The Thirteenth Floor, by Ogden Nash, July, 1955

Spud and Cochise, by Oliver La Forge, December, 1957

Unto The Fourth Generation, by Isaac Asimov, April, 1959

Jordan, by Zenna Henderson, March, 1959

Will You Wait?, by Alfred Bester, March, 1959

Proof Positive, by Graham Greene, August, 1952

Shock Treatment, by J. Francis McComas, April, 1956 (From 9 Tales of Space and Time, May, 1954)

Gandolphus, by Anthony Boucher, June, 1952

The Last Shall Be First, by Robert P. Mills, August, 1958

A Trick Or Two, by John Novotny, July, 1957

Lot’s Daughter, by Ward Moore, October, 1954

Saturnian Celia, by Horace Walpole, April, 1957 (May, 1774.  First known to have been published in The Letters of Horace Walpole, 1903)

Fear Is A Business, by Theodore Sturgeon, April, 1956

Meeting of Relations, by John Collier, January, 1959 (From The Yale Review, December, 1941)

First Lesson, by Mildred Clingerman, December, 1956

To Fell A Tree, by Robert F. Young, July, 1959

Reference

A Decade of Fantasy and Science Fiction, at Internet Speculative Fiction Database

Astounding Science Fiction – October, 1952 (Featuring “The Currents of Space”, by Isaac Asimov) [Richard Van Dongen]

Having created this post in May of 2018, I’ve since acquired a copy of the October, 1952, issue of Astounding in much better condition than the “original”. 

While the cover of the “new” magazine has none of the chipps and scuffs; dings and bends; creases and wrinkles, of the original, the most notable difference is between the color tones of the covers, despite the two images having been created with the same Epson scanner.

As for the cover art itself? 

By Richard Van Dongen, it’s quite striking, and somewhat reminiscent of Gaylord Welker’s cover for the December, 1952, issue of Astounding, albeit Welker’s cover was unrelated to any story in the magazine.  

Images of the “olde” and “new” covers are displayed below… 

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Astounding Science Fiction – July, 1947 (Featuring “With Folded Hands…”, by Jack Williamson) [William Timmins]

William Timmins’ straightforward and somewhat uninspiring covert art, though visually consistent with and appropriate for “With Folded Hands…”, belies the depth, power, and literary quality of Jack Williamson’s 1947 story. In 1954, it was expanded as Galaxy Science Fiction Novel number 21, under the title The Humanoids, with cover art by Edward Emshwiller.      

I discovered Williamson’s tale years ago, within “Volume IIA” of The Science Fiction Hall of Fame.

The story was one of fifty science fiction stories adapted by Ernest Kinoy and George Lefferts for the NBC 1950-1951 radio program Dimension X, and broadcast on April 15, 1950.  You can listen to the program here, at the American Radio Classics YouTube channel, where, oddly, it’s listed under the category of “comedy”.

“Comedy?!”  Nooo…  No.  It’s not a comedy.

I was reminded of Williamson’s story in the mid-1990s after reading Norbert Wiener’s The Human Use of Human Beings, which I found to be eerily – nay, chillingly! – prescient (albeit now, 69 years too early…), imbued with a sense of compassion, and, composed with an almost poetic sense of language (though obviously not poetry, per se!).  Above all, the “tone” of the book is one of deep humility, and, a profound, refreshing absence of the ideologically motivated hubris that passes for intellectuality, so characteristic of the current age.  In this, the book’s resemblance to Sir Roger Penrose’s works on the origin and nature of consciousness is striking.

Anyway…  I read With Folded Hands once again, and found that Williamson’s story had lost neither its depth nor its impact despite the passage of time.  (Other science fiction stories?  Not always so much.)

It’s interesting that Williamson’s story and Wiener’s book appeared within three years of one another.  This may attest to a commonality of thought about the implications and effect – viewed from the perspective of the mid-twentieth century, the Second World War having ended only a few years earlier – of the intersection of and anticipation of several technological and social trends: Automation, the eventuality of artificial intelligence and machine learning (though I doubt those phrases were conceived of as such, at the time), and computer networks (the humanoids are in constant real-time communication with one another, after all), upon the economic and social “place” of men, both individually and collectively.  

Excerpts from Norbert Wiener’s book (1973 Discus edition) follow, a little further down this post..

“At your service,” Mr. Underhill.”  Its blind steel eyes stared straight ahead, but it was still aware of him.  “What’s the matter, sir?  Aren’t you happy?”

(Since creating this post in May of 2019, I’ve acquired a copy of the July, 1947, Astounding, in much better condition than the original – which is displayed at the “bottom” of this post.  The “new” copy, minus chipped edges and missing corners, is shown below…)

Underhill felt cold and faint with terror.
His skin turned clammy.
A painful prickling came over him.
His wet hand tensed on the door handle of the car,
but he restrained the impulse to jump and run.
That was folly.
There was no escape.
He made himself sit still.

“You will be happy, sir,” the mechanical promised him cheerfully.
“We have learned how to make all men happy under the Prime Directive.
Our service will be perfect now, at last.

Even Mr. Sledge is very happy now.”

Underhill tried to speak, but his dry throat stuck.
He felt ill.
The world turned dim and gray.
The humanoids were prefect – no question of that.
They had even learned to lie, to secure the contentment of men

He knew they had lied.
That was no tumor they had removed from Sledge’s brain,
but the memory,
the scientific knowledge,
and the bitter disillusion of their own creator.
Yet he had seen that Sledge was happy now.

He tried to stop his own convulsive quivering.

“A wonderful operation!”
His voice came forced and faint.
“You know Aurora has had a lot of funny tenants,
but that old man was the absolute limit.
They very idea that he had made the humanoids,
that he knew how to stop them! I always knew he must be lying!”

Stiff with terror, he made a weak and hollow laugh.

“What is the matter, Mr. Underhill?”

The alert mechanical must have perceived his shuddering illness.

“Are you unwell?”

“No, there’s nothing the matter with me,” he gasped desperately.
“Absolutely nothing!
I’ve just found out that I’m perfectly happy under the Prime Directive.
Everything is absolutely wonderful.”
His voice came dry and hoarse and wild.
“You won’t have to operate on me.”
 The car turned off the shining avenue,
taking him back to the quiet splendor of his prison.
His futile hands clenched and relaxed again, folded on his knees.

There was nothing left to do.

( – Jack S. Williamson – )

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Illustration by Hubert Rogers, for Jack Williamson’s story “And Searching Mind” (Astounding Science Fiction, May, 1948 – Part III of III) (p. 118)

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The Human Use of Human Beings
by Norbert Wiener
Avon Books – (1950) 1973

In the myths and fairy tales that we read as children
we learned a few of the simpler and more obvious truths of life,
such as that when a djinnee is found in a bottle,
it had better be left there;
that the fisherman who craves a boon from heaven too many times on behalf of his wife
will end up exactly where he started;
that if you are given three wishes, you must be very careful what you wish for.
These simple and obvious truths represent the childish equivalent of the tragic view of life
which the Greeks and many modern Europeans possess,
and which is somehow missing in this land of plenty.

“Whether we entrust our decisions to machines of metal,
or to those machines of flesh and blood

which are bureaus
and vast laboratories
and armies
and corporations,

we shall never receive the right answers to our questions unless we ask the right questions.”

I have said that the modem man,
and especially the modern American,
however much “know-how” he may have, has very little “know-what.”
He will accept the superior dexterity of the machine-made decisions
without too much inquiry as to the motives and principles behind these.
In doing so, he will put himself sooner or later in the position of the father
in W.W. Jacobs’ The Monkey’s Paw, who has wished for a hundred pounds,
only to find at his door the agent of the company for which his son works,
tendering him one hundred pounds as a consolation for his son’s death at the factory.
Or again, he may do it in the way of the Arab fisherman in the One Thousand and One Nights,
when he broke the Seal of Solomon on the lid of the bottle which contained the angry djinnee.

Let us remember that there are game-playing machines
both of The Monkey’s Paw type and of the type of the Bottled Djinnee.
Any machine constructed for the purpose of making decisions,
if it does not possess the power of learning,
will be completely literal-minded.
Woe to us if we let it decide our conduct,
unless we have previously examined the laws of its action,
and know fully that its conduct will be carried out on principles acceptable to us!
On the other hand,
the machine like the djinnee which can learn and can make decisions on the basis of its learning,
will in no way be obliged to make such decisions as we should have made,
or will be acceptable to us.
For the man who is not aware of this,
to throw the problem of his responsibility on the machine,
whether it can learn or not,
is to cast his responsibility to the winds,
and to find it coming back seated on the whirlwind.

Reference

Bova, Ben (Editor), The Science Fiction Hall of Fame – Volume IIA, Avon Books, New York, N.Y., 1973

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Original cover image, from May of 2019…

I Robot, by Isaac Asimov – 1956 [Robert Emil Schulz]

Contents

I, Robot (Introduction)

Robbie, (variant of “Strange Playfellow” – Super Science Stories, September, 1940)

Runaround, from Astounding Science Fiction, March, 1942

Reason, from Astounding Science Fiction, April, 1941

Catch That Rabbit, from Astounding Science Fiction, February, 1944

Liar!, from Astounding Science Fiction, May, 1941

Little Lost Robot, from Astounding Science Fiction, March, 1947

Escape!, from Astounding Science Fiction, August, 1945

Evidence, from Astounding Science Fiction, September, 1946

The Evitable Conflict, from Astounding Science Fiction, June, 1950

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Portrait of Isaac Asimov, from back cover

Reference

I, Robot, bibliographic record from Internet Speculative Fiction Database