SF: The Best of the Best – August, 1968 [Norman Adams] (Dell # 0508)

And now, we come to what in effect is the final volume of Judith Merril’s 1950s-1960s science fiction (and fantasy) anthology, SF: The Best of the Best.  This un-numbered series anthology comprises a collection of what truly were the best stories gathered across all volumes of SF, and in this, it succeeds entirely.  Unlike prior books in the series, this volume is absent of non-fiction commentary or scientific speculation, cartoons, poems, and especially (thankfully!) stories-not-published-elsewhere commissioned solely for this series.  If you were to purchase any one volume of SF, this is the one.

Given this book’s title, it would seem that the intention of Judith Merril (and Dell) was that the series would end with this volume, which represents a retrospective of the entire series.  However, Volume 12 – in reality the actual, final volume – was published in 1969, a year after this compilation.  So, it would seem that the publication schedule was reversed as the series approached its culmination.

Norman Adams’ cover painting, which has an eerie anthropomorphic theme, represents a combination of elements from both science fiction and fantasy, especially the latter.  Something tells me that this painting could have been inspired by (or could have inspired, if we’re talking about time travel, parallel universes, and backwards causation!) the hieroglyphic murals upon the walls of the un-named city of the Elder Things in H.P. Lovecraft’s At the Mountains of Madness.  

Just sayin’.  One never knows, do one?

All these stories…

Introduction (SF: The Best of the Best), Essay by Judith Merril

“The Hoofer”, by Walter M. Miller, Jr.,
from Fantastic Universe, September, 1955 (Volume 1)

“Bulkhead”, by Theodore Sturgeon,
from Galaxy Science Fiction, March, 1955 (Volume 1)

“Anything Box” (variant of The Anything Box), by Zenna Henderson,
from The Magazine of Fantasy and Science Fiction, October, 1956 (Volume 2)

“Prima Belladonna” (Vermilion Sands series), by J.G. Ballard,
from Science Fantasy, December, 1956 (Volume 2)

“Casey Agonistes”, by R.C. McKenna,
from The Magazine of Fantasy and Science Fiction, September, 1958 (Volume 4)

“A Death in the House”, by Clifford D. Simak,
from Galaxy Science Fiction, October, 1959 (Volume 5)

“Space-Time for Springers” (Gummitch the Cat series), by Fritz Leiber,
from Star Science Fiction Stories No. 4, November, 1958 (Volume 4)

“Pelt”, by Carol Emshwiller,
from The Magazine of Fantasy and Science Fiction, November, 1958 (Volume 4)

“Stranger Station”, by Damon Knight,
from The Magazine of Fantasy and Science Fiction, December, 1956 (Volume 2)

“Satellite Passage”, by Theodore L. Thomas,
from If, December, 1958 (Volume 4)

“No, No, Not Rogov!” (The Instrumentality of Mankind series), by Cordwainer Smith (Paul M. Linebarger),
from If, February, 1959 (Volume 5)

“Compounded Interest”, by Mack Reynolds,
from The Magazine of Fantasy and Science Fiction, August, 1956 (Volume 2)

“Junior”, by Robert Abernathy,
from Galaxy Science Fiction, January, 1956 (Volume 1)

“Sense from Thought Divide” (Ralph Kennedy series), by Mark Clifton,
from Astounding Science Fiction, March, 1955 (Volume 1)

“Mariana, by Fritz Leiber”,
from Fantastic Science Fiction Stories, February, 1960 (Volume 5)

“Plenitude”, by Will Worthington (Will Mohler),
from The Magazine of Fantasy and Science Fiction, November, 1959 (Volume 5)

“Day at the Beach”, by Carol Emshwiller,
from The Magazine of Fantasy and Science Fiction, August, 1959 (Volume 5)

“Let’s Be Frank”, by Brain W. Aldiss,
from Science Fantasy, June, 1957 (Volume 3)

“The Wonder Horse”, by George Bryam,
from The Atlantic Monthly, August, 1957 (Volume 3)

“Nobody Bothers Gus” (Gus series), by Algis Budrys,
from Astounding Science Fiction, November, 1955 (Volume 1)

“The Prize of Peril”, by Robert Sheckley,
from The Magazine of Fantasy and Science Fiction, May, 1958 (Volume 4)

“The Handler”, by Damon Knight,
from Rogue, August, 1960 (Volume 5)

“The Golem”, by Avram Davidson,
from The Magazine of Fantasy and Science Fiction, March, 1955 (Volume 1)

“The Sound Sweep”, by J.G. Ballard (Variant of “The Sound-Sweep”,
from Science Fantasy, #39, February, 1960), specifically for this volume (Volume 5)

“Hickory, Dickory, Kerouac”, by Richard Gehman,
from Playboy, March, 1958 (Volume 4)

“Dreaming Is a Private Thing”, by Isaac Asimov,
from The Magazine of Fantasy and Science Fiction, December, 1955 (Volume 1)

“The Public Hating”, by Steve Allen,
from The Blue Book Magazine, January, 1955 (Volume 1)

“You Know Willie”, by Theodore R. Cogswell,
from The Magazine of Fantasy and Science Fiction, May, 1957 (Volume 3)

“One Ordinary Day, with Peanuts”, by Shirley Jackson,
from The Magazine of Fantasy and Science Fiction, January, 1955 (Volume 1)

And in conclusion, a textual solution!

Internet Speculative Fiction Database

This Book’s Contents

Published Variants of This Book (Just two!)

The Best From Fantasy and Science Fiction – Seventh Series, Edited by Anthony Boucher – 1956 (1957, 1958) [Unknown Artist] […updated post…]

Dating back to June of 2017 (oh my!), I’ve now updated this post to show a much (much) better copy of the Anthony-Boucher-edited The Best From Fantasy and Science Fiction -Seventh Series.  The image of my “original” copy, with the previous unknown owner’s home-made label on the spine, is displayed at the bottom of the post.

Having read this volume several years ago, by this point in time (late 2024) I cannot recall each story in detail, but it’ll suffice to say that this volume, truly like others in the series (well, at least through the late 1960s) continued the high quality of previous books in the series.  The stories that stand out in my memory at this point are Ward Moore’s “Adjustment”, Robert F. Young’s “Goddess in Granite”, and, Fritz Leiber’s “The Big Trek”.

The few stories by Young that I’ve read have been excellent.  Highly original in plot and setting, there’s nothing extraneous to his text, and his characters – while like most science fiction protagonists not entirely “three dimensional” in personality and background – are nevertheless distinct and individuated, manifesting change in belief, attitude, and self-understanding by a given story’s conclusion.  One thing I’ve noticed – albeit I’ve not read either of the two collections of his stories! – is that a central element of his tales seems (seems…)  to be the nature of relationships … relationships in all their complex aspects … between men and women.  And, women and men.  Certainly this is true for “Goddess in Granite”, which is a deeply disturbing and ironic tale of the evolution of one man’s attitudes towards and relationships with women, in senses both abstract and very (very; emphatically so) physically real.  While not necessarily a likeable chap, the development and maturation of the protagonist’s character is intriguing; the story heavily (very; again emphatically!) laden with symbolism.  In a contemporary, early twenty-first-century parlance, “Goddess in Granite” might well be deemed a “blue pill to red pill” (to black pill?) conversion story.  But, its meaning goes deeper.

Meanwhile, Fritz Leiber’s “The Big Trek” is a light, brief, and charming tale, typical of the level of imagination inherent to Leiber’s oeuvre.  It merited colorful cover art by Edmund Emshwiller which perfectly mirrored the setting and central event of the story.  

“The Wines of Earth”, by Idris Seabright, September, 1957

Adjustment“, by Ward Moore, May, 1957

“The Cage”, by Bertram Chandler, June, 1957

“Mr. Stilwell’s Stage”, by Avram Davidson, September, 1957

“Venture to the Moon”, by Arthur C. Clarke, from Fiction #49, December, 1957

“Expedition”, by Frederic Brown, February, 1957

“Rescue”, by G.C. Edmondson, June, 1957

“Between The Thunder and The Sea”, by Chad Oliver, May, 1957

“A Loint of Paw”, by Isaac Asimov, August, 1957

“The Wild Wood”, by Mildred Clingerman, January, 1957

“Dodger Fan”, by Will Stanton, June, 1957

“Goddess in Granite”, by Robert F. Young, September, 1957

“Ms. Found in a Chinese Fortune Cookie”, by Cyril M. Kornbluth, July, 1957

“Journey’s End”, by Poul Anderson, for this volume

“The Big Trek”, by Fritz Leiber, October, 1957

“In Memoriam: Fletcher Pratt”, poem by James Blish, October, 1957

“Yes, but”…”, poem by Anthony Brode, September, 1957

“The Horror Story Shorter by One Letter Than the Shortest Horror Story Ever Written”, by Ron Smith, July, 1957

“Lyric for Atom Splitters”, poem by Doris Pitkin Buck, for this volume

Referentially Speaking…

Internet Speculative Fiction Database

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