Isaac Asimov Presents the Great SF Stories 3 (1941), Edited by Isaac Asimov and Martin H. Greenberg – 1980 [Jack Gaughan]

Contents

Mechanical Mice, by Maurice A. Hugi, from Astounding Science Fiction

Shottle Bop, by Theodore Sturgeon, from Unknown

The Rocket of 1955, by Cyril M. Kornbluth, from Stirring Science Stories

Evolution’s End, by Robert Arthur, from Thrilling Wonder Stories

Microcosmic God, by Theodore Sturgeon, from Astounding Science Fiction

Jay Score, by Eric Frank Russell, from Astounding Science Fiction

Liar!, by Isaac Asimov, from Astounding Science Fiction

Time Wants A Skeleton, by Ross Rocklynne, from Astounding Science Fiction

The Words of Guru, by Cyril M. Kornbluth, from Stirring Science Stories

The Seesaw, by A.E. van Vogt, from Astounding Science Fiction

Armageddon, by Frederic Brown, from Unknown

Adam and No Eve, by Alfred Bester, from Astounding Science Fiction

Solar Plexus, by James Blish, from Astonishing Stories

Nightfall, by Isaac Asimov, from Astounding Science Fiction

A Gnome There Was, by Henry Kuttner and Catherine L. Moore, from Unknown

Snulbug, by Anthony Boucher, from Unknown

Hereafter, Inc., by Lester Del Rey, from Unknown

Astounding Science Fiction – December, 1952 (Featuring “The Currents of Space”, by Isaac Asimov) [Gaylord Welker]

The December, 1952, issue of Astounding Science Fiction bears a cover that’s remarkably simple in composition, yet by virtue of that simplicity conveys a story wordlessly.  (Well okay, the title in the lower left corner is a give-away!)

Though most of Gaylord Welker’s painting consists of little more than a deeply blue sky darkly ascending to near-black (the scan you’re viewing has significantly more color latitude than the printed image), the wrecked spacecraft at lower left and forlorn astronaut at lower right – is that an ejection-seat “D-ring” in his left hand? – tell you all you need to know.  Ironically, though, like numerous other cover illustrations for 1950s issues of Astounding, Galaxy Magazine, and The Magazine of Fantasy and Science from the ’50s, there’s no direct tie-in to any story in the actual issue. 

Which means, of course, that the image is begging for literary treatment. 

Which has been done across the decades, of course, with great variation!

Anyway, the accompanying illustration is Henry Richard Van Dongen’s lovely panoramic cityscape for Asimov’s “The Currents of Space”. 

I’ve now (April, 2020) updated the post by making some minor tweaks to the scan of Van Dongen’s art:  I’ve situated the two halves of the image closer to one another, and, increased the contrast.  However minor in effect, I think this marks at least a degree of improvement over the original scan from 2017. 

Which, is shown at bottom.

So, I can’t tell which I like more – the Welker or the Van Dongen…!

Illustration by Henry Richard Van Dongen, for Isaac Asimov’s story “The Currents of Space” (pp. 130-131)

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Image as it originally appeared in this post…

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