Analog – Science Fact – Fiction, December, 1960 (Featuring “The Longest Voyage” by Poul Anderson) [Frank Kelly Freas]

Yet when we came upon the Ship, toward evening, I forgot my weariness. 
And after an amazed volley of oaths,
our mariners rested silent on their pikes. 
The Hisagazi,
never talkative,
crouched low in token of awe. 
Only Guzan remained erect among them. 
I glimpsed his expression as he started at the marvel. 
It was a look of lust.

Wild was that place.
We had gone above timberline.
The land was a green sea below us, edged with silvery ocean.
Here we stood among tumbled black boulders,
cinders and spongy tufa underfoot.
The mountains rose in steeps and scarps and ravines,
on to snows and smoke,
which rose another mile into a pale chilly sky.
And here stood the Ship.
And the Ship was beauty.

I remember. 
Its length
 – height, rather, since it stood on its tail
 – it was about equal to our caravel,
in form not unlike a lance head,
in color a shining white,
unvarnished after forty years. 
That was all. 
But words are paltry, my lords. 
What can they show of clean soaring curves,
of iridescence on burnished metal,
of a thing which was proud and lovely and in its very shape aquiver to be off? 
How can I conjure back the glamour which hazed that Ship whose keel had cloven starlight?

– Poul Anderson

Illustration by Frank Kelly Freas (p. 24)

The Pritcher Mass, by Gordon R. Dickson – 1972 (September, 1973) [Frank Kelly Freas and Jack Gaughan]

______________________________

Story description, from rear cover…

“The only hope for mankind’s survival after the contamination of the Earth lay in the Pritcher Mass, a psychic forcefield construction out beyond the orbit of Pluto.  Created by the efforts of individuals with extraordinary paranormal powers, the Mass was designed to search the universe for a new habitable planet.

Chaz Sant knew he had the kind of special ability to contribute effectively to the building of the Mass, but somehow the qualifying tests were stacked against him.  Then he learned that he had become the special target of an insidious organization that fattened on the fears of the last cities of the world.  His confrontation with this organization, their real motives and his unexpected reactions, were to touch off the final showdown for mankind’s last enterprise.”

______________________________

Interior illustration, facing title page…

Frontspiece by Jack Gaughan