Male and Female – A Study of the Sexes in a Changing World, by Margaret Mead – 1949 (November, 1955) [Robert Jonas]

Juke Box King, by Frank Kane – October, 1959 [Freeman Eliot]

Mitch Corday’s office was a combination of den and office. 
Its knotty pine paneling featured autographed pictures
of the top talent that had headlined the shows,
the floor was covered with a colorful Indian rug. 
Comfortable looking chairs were scattered around the room,
a large desk was placed
so Corday could look out across the desert to the distant blue-black mountains. 

He sat at the desk, his heel hooked on the corner,
watched the cottony white clouds that seemed to hang motionless
in the blue of the sky.
The harsh rock outlines of the mountains were softened by haze.
Corday wondered how the weather was back on State Street
and if he’d ever be able to live in Chicago again after once having lived in Vegas.
The last time he had been there,
the slush was ankle deep in the gutters,
the wind that came off the lake was cold,
cut through him like a knife.
Instead of the white clouds and the blue overhead,
it had been a dark, dreary day with the skies the color of lead

And yet there were times when he wished he had seen
the last of the super-modern pastel-colored buildings,
the neon lights,
the dry air and the blistering sun that spelled Vegas. 
Some day he might go back East. 
There were lots of the boys who never could –
who sat around at night and talked about the old days and the old places
with the sad knowledge that they were now out of bounds. 
Nevada might be willing to overlook certain differences with the law. 
But New York and Chicago and even Miami had long memories. 
And the dry air, the monotony of the perfect weather,
the blistering sun and the wind that dried the perspiration on your body –
all of these were preferable to the even greater monotony
of Sing Sing or Joliet or Alcatraz. 
As long as it had to be a prison, they preferred the gaudier one –
even though in time it might become just as confining. 

Corday started at the knock on the door,
dropped his head from his desk, swiveled around.

“Come in.”

– Frank Kane –

Amazing Science Fiction – October, 1977 (Featuring “Shadow of a Snowstorm”, by John Shirley) [Stephen E. Fabian]

Illustration by Stephen E. Fabian, for F.M. Busby’s story “Never So Lost” (p. 31)

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Illustration by Stephen E. Fabian, for John Shirley’s story “Shadow of a Snowstorm” (p. 73)

Startling Stories – August, 1952 (Featuring “The Lovers”, by Philip José Farmer) [Earle K. Bergey]

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All illustrations by Virgil Finlay…

pages 12 – 13

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page 19

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page 25

The Lovers, by Philip José Farmer – 1952 (1982) [Jim Burns]

Hal Yarrow stared through steamshapes into big brown eyes. 
He shook his head. 
Eyes? 
And arms like branches? 
Or branches like arms? 
He thought he was in the grip of a brown-eyed nymph. 
Or were they called dryads? 
He couldn’t ask anybody. 
They weren’t supposed to know about such creatures. 
Nymph and dryad had been delated from all books
including Hack’s edition of the Revised and Real Milton
Only because Hal was a linguist
had he had the chance to read an unexpurgated Paradise Lost
and thus learn of classical Greek mythology.

Thoughts flashed on and off like lights on a spaceship’s control board. 
Nymphs sometimes turned into trees to escape their pursuers. 
Was this one of the fabled forest women staring at him
with large and beautiful eyes through the longest lashes he’d ever seen?

He shut his eyes
and wondered if a head injury was responsible for the vision and, if so,
it if would be permanent. 
Hallucinations like that were worth keeping. 
He didn’t care if they conformed to reality or not.

He opened his eyes. 
The hallucination was gone.

– Philip José Farmer –

Infinity Science Fiction – October, 1956 (Featuring “The Silver Corridor”, by Harlan Ellison) [Edmund A. Emshwiller]

 

Illustration by Edward Emshwiller, for Harlan Ellison’s story “The Silver Corridor” (p. 49)

 

The Magazine of Fantasy and Science Fiction – September, 1956 (Featuring “Operation Afreet”, by Poul Anderson) [Frank Kelly Freas]

Unlike the majority of science fiction (and fantasy) magazines of the 40s and 50s, The Magazine of Fantasy and Science Fiction eschewed interior art.  The issue of September, 1956 was an exception to this policy, featuring two illustrations – below – by Frank Kelly Freas, which accompanied Poul Anderson’s tale “Operation Afreet”. 

The third illustration is an allegorical image created by the unknown artist “H.M.”

(Page 11) (Page 37)

(Page 37)