Analog – Science Fact -> Science Fiction, April, 1962, featuring “Mercenary”, by Mack Reynolds [John Schoenherr]

Sometimes, a magazine’s cover art jumps right off the page, or at least appears to!  Case in point:  John Schoenherr’s superb cover illustration for the April, 1962 issue of Analog.  A thorough perusal of the magazine’s contents reveals a complete absence of similar or related astronaut-like artwork, particularly for Mack Reynold’s cover story “Mercenary” (though I’ve not yet actually read that story) while the issue’s table of contents lists no information about the cover other than the artist’s surname.  Given the “anonymity” of the painting, perhaps it’s simply meant to convey an air of adventure, exploration, and drama befitting the magazine’s theme and ethos.

Regardless, it’s a great painting.  

Though at first glance the color palette seems to be very limited, with little more than shades of gray and tan with little detail or complexity, a closer look (that is, via scanning) reveals subtleties not apparent to the naked eye.  The astronaut’s spacesuit – arms; legs; torso – is comprised of sets of parallel, curved, plates, that abut against each other without actually overlapping.  Kind of like a metallic snakeskin.  In this, the suit resembles a flexible exoskeleton wrapped around a tighter, inner suit, evident from the sets of curved indentations in the astronaut’s forearms.  

The helmet’s an interesting detail, too.  It looks like it’s illuminated from the interior.  But, the astronaut’s environmental control unit – if he has one! – doesn’t seem to be working too well, as there seems to be condensation building around the edges of his visor.  (Or, he could be exerting himself and breathing heavily?)

Color-wise, the scan (I use an Epson scanner), which enhances minor variations in color just as much as it does light and shadow, reveals that the suit is actually in tones of very (very!) dark green, to black-green, as is the glowing sky behind the explorer.

But, who is he?  What’s he doing? 

He could be in pursuit.  (Of someone.)  He could be attempting to escape.  (Someone else.)  He could be a solitary explorer who’s just sighted “something”: something that will catapult him into realms previously unimagined.  He could be a simple “everyman” of the future, when space travel (after centuries of travail, civilizational apathy, fear born of complacency and abundance, and, indecision) has become commonplace as much as contemporary air travel. 

He could be all these things and more.

Perhaps in time, he will be. 

Perhaps, in time he will be.

Here’s what this cover says:

Adventure

Bravery

Confidence

Courage

Discovery

Exploration

Fear (conquered!)

Purpose

Wonder

Galaxy Science Fiction, April, 1963, featuring “The Visitor at The Zoo”, by Damon Knight [Edmund Emshwiller]

Time for a true confession: I’ve not read Damon Knight’s “The Visitor at the Zoo” from the April ’63 issue of Galaxy.  However, both the cover and interior illustrations, by Edmund “EMSH” Emshwiller, are intriguing, and beautifully representative of his presentation of action combined with detail, let alone his sense of originality.

A closer look.  The violet and green work well.  EMSH’s logo is in the electrical-circuit-like-schematic-as-well-art along the upper left of the painting.

Normally, I’d provide you with an interior edited from my own (Epson V600 Photo) scan of the magazine.  However, my own copy is so very tightly bound that placing and flattening the interior – to eliminate image distortion – would irreparably damage the magazine.  No, go, that just will not do.  So, I resorted to downloading the magazine from the Luminist Archive, and editing the somewhat-lower-resolution (less than 400 dpi) after converting the PDF to a JPG, which results in a conversion to 300 dpi.  At this size, not much of a difference in resolution.  (Alas, aaaargh, gadzooks, the Internet Archive remains “down” as of the creation of this post, on October 17, 2024.  Thankfully the Luminist Archive, which seems to share many / most / almost all? (many more?) of the digitized science fiction and fantasy pulps at the Internet Archive, remains unaffected.)

Oh yeah, back to the story.  As for the tale itself, oddly, given Damon Knight’s prominence (though what he did to A.E. van Vogt’s reputation was appalling; of course literary skill is entirely unrelated to character), it was only published in an Italian edition of Galaxy – and two likewise Italian Galaxy-related-story collections – in the 1960s.  References about the tale seem very really, really few.  As in, only one.  Here it is:  Rod Howell reviewed this issue of Galaxy in 2019, and herein gives his opinion.