Galaxy Science Fiction, April, 1963, featuring “The Visitor at The Zoo”, by Damon Knight [Edmund Emshwiller]

Time for a true confession: I’ve not read Damon Knight’s “The Visitor at the Zoo” from the April ’63 issue of Galaxy.  However, both the cover and interior illustrations, by Edmund “EMSH” Emshwiller, are intriguing, and beautifully representative of his presentation of action combined with detail, let alone his sense of originality.

A closer look.  The violet and green work well.  EMSH’s logo is in the electrical-circuit-like-schematic-as-well-art along the upper left of the painting.

Normally, I’d provide you with an interior edited from my own (Epson V600 Photo) scan of the magazine.  However, my own copy is so very tightly bound that placing and flattening the interior – to eliminate image distortion – would irreparably damage the magazine.  No, go, that just will not do.  So, I resorted to downloading the magazine from the Luminist Archive, and editing the somewhat-lower-resolution (less than 400 dpi) after converting the PDF to a JPG, which results in a conversion to 300 dpi.  At this size, not much of a difference in resolution.  (Alas, aaaargh, gadzooks, the Internet Archive remains “down” as of the creation of this post, on October 17, 2024.  Thankfully the Luminist Archive, which seems to share many / most / almost all? (many more?) of the digitized science fiction and fantasy pulps at the Internet Archive, remains unaffected.)

Oh yeah, back to the story.  As for the tale itself, oddly, given Damon Knight’s prominence (though what he did to A.E. van Vogt’s reputation was appalling; of course literary skill is entirely unrelated to character), it was only published in an Italian edition of Galaxy – and two likewise Italian Galaxy-related-story collections – in the 1960s.  References about the tale seem very really, really few.  As in, only one.  Here it is:  Rod Howell reviewed this issue of Galaxy in 2019, and herein gives his opinion.

Amazing Stories – July, 1963, featuring “Redemption”, by Robert F. Young [Edmund A. Emshwiller] [Updated post…]

Originally created in July of 2019, this post – showing the July 1963 issue of Amazing Stories – now includes Edmund Emshwiller’s illustration for part two of Jack Sharkey’s novella “The Programmed People”.  The cover and interior art of the June issue can be viewed here.

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Illustration by Edmund A. Emshwiller, for “The Programmed People“, by Jack Sharkey (pages 82-83)

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Amazing Stories – June, 1963 (Featuring “The Programmed People”, by Jack Sharkey) [Edmund A. Emshwiller] [Updated post…]

Jack Sharkey’s two-part novella, “The Programmed People”, from the June and July of ’63 issues of Amazing Stories, while a strong example of world-building, envisions a future – the result of an odd confluence of social and technological developments – that for all the tale’s intricacy and complexity is simply not that engaging.  The plot is based upon a rebellion within self-contained, subterranean civilization Earth, the society a cross between the worlds Brave New World and 1984, and even resembling (and perhaps inspiring?!) Logan’s Run.

The protagonist – a young woman; Grace Horton – and secondary characters are all clearly “drawn” in terms of their roles within the story, but they’re neither too deeply individuated nor that compelling in terms of emotion or personality, as people.  To be fair, it’s a worthwhile one-time read, but not at all the kind of tale – unlike, for example, anything in the oeuvre of Cordwainer Smith – that would draw your attention for a second (or third (or fourth?)) reading, let alone contemplation.  It’s not been anthologized, either.

Withal, Edmund Emshwiller’s cover art for the June issue – below – and interior illustrations are great; perhaps the best parts of the story.  Aside from their spandexy outfits, the most notable aspect of the painting is the punch-card slots superimposed on the man and woman, a reminder of computer programming in the 1960s.  

The cover and interior art of the July issue can be viewed here.

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Lead illustration for “The Programmed People”, on pages 6 and 7.

Programming!…  A superb illustration from page 34, showing Grace Horton, a robot, and a bank of computers, encircled by a perforated computer tape.

7/12/19 – 216

Galaxy Science Fiction – January, 1955 (Featuring “The Tunnel Under the World,”, by Frederik Pohl) [Edmund A. Emshwiller)]

Unlike the cover art of Astounding Science Fiction, and most (but certainly not all!) of the cover art featured by its leading competitors, among them The Magazine of Fantasy & Science Fiction, if – Worlds of Science Fiction, and Amazing Science Fiction Stories, the cover illustrations of Galaxy Science Fiction, particularly from about 1955 through the early 1960s, was characterized by a sense of humor and whimsy, in the form of (obviously wordless!) visual social commentary.

Of this, the illustration below, by “Emsh” (Edmund A. Emshwiller) – entitled “Milady’s Boudoir”, is an excellent example, needing little elaboration.  (-* Ahem.*-)  Like other humorous Galaxy covers, the cover art is a “stand alone” image, entirely unrelated to the magazine’s literary content.